An evening with Jane Harper & Elly Griffiths

Get ready for a thrilling evening with best-selling authors Jane Harper and Elly Griffiths, as they chat about their brand new novels.

LAST ONE OUT by Jane Harper

He had been here, that was clear from the marks in the dust. And he had been alone.

In a dying town, Ro Crowley waits for her son on the evening of his twenty-first birthday.

Sam never comes home. His footprints in the dust of three abandoned houses offer the only clue to his final movements. One set in. One set out.

Five long years later, Ro returns to Carralon Ridge for the annual memorial of Sam’s disappearance. The skeletal community is now an echo of itself, having fractured under the pressure of the coal mine operating on its outskirts.

But Ro still wants answers. Only a few people remain. If the truth is to be found in that town, does it lie among them?

THE KILLING TIME by Elly Griffiths

Join Ali Dawson and her cold case team for another thrilling case.

Ali Dawson is a police detective who leads a unit that investigates cases so cold her team must travel to the distant past to solve them. But Ali and the team haven't been allowed to time-travel ever since their technical expert, Jones, got stuck in Victorian London, never to be seen again.

To distract herself from meaningless tasks, Ali decides to look into a present-day case - an apparent suicide of a young man who fell to his death from a high building. She believes the death is linked to a psychic medium called Barry Power, who convinced the boy he could fly. Ali goes to one of Power's shows where he claims to be in contact with Jones.

When Ali notices that evening that her cat, Terry, has gone missing, she decides to go back in time just long enough to prevent Terry from escaping through his open cat flap. A dangerous plan which backfires, and she finds herself once more in Victorian London, where she meets Jones, as well as Power, and the darkly mysterious Cain Templeton with whom Ali has unfinished business from her previous visit to the past . . .